Tributes have been paid to prolific graffiti artist Helch, whose giant, block-letter tags appeared across the country, from the edge of Windsor Castle to the nation's motorway bridges, viaducts and rooftops.
Friends paid their respects to Michael Purdy, 34, who enjoyed a sold-out gallery show in December attended by urban art enthusiasts and collectors from around the world.
Veteran club music DJ Doc Scott was among the chorus of fans to pay tribute to the guerrilla artist on Saturday, sharing an image of one of his canvas artworks with the caption 'RIP Helch'.
Frontline, a renowned graffiti magazine and online platform, shared a photo compilation of Helch's colourful works on Instagram with the caption: 'Just heard sad news of Helch passing away. RIP Helch.'
But not everyone was a fan, with royal sources claiming the late Queen Elizabeth II was upset over 60ft high white letters reading Helch near Windsor Castle.
But his debut show at BSMT Space in trendy Dalston, east London, at the end of last year was a huge draw for the public and art world alike, as it was the first time his art could be bought legally, resulting in a sold-out exhibition.

Michael Purdy, whose giant, block-letter tags appeared across the country, from the edge of Windsor Castle to the nation's motorway bridges, viaducts and rooftops, has died aged 34

The late Queen was said to be 'extremely upset' after 60ft high white letters were daubed on to a railway viaduct near Windsor Castle

Network Rail, which owns the viaduct in Windsor, removed the graffiti as it was deemed offensive
In one of his final social media posts, he shared an image of his 224-page photo book, titled Lost But Living. The glossy publication features his international street typography and roller graffiti during the period of 2022-24.
The circumstances around his death have not been disclosed, but friends have been left reeling by his sudden passing.
One graffiti artist told the Daily Mail: 'Helch was at the top of his game, having smashed it for years and funded the entire thing himself.
'He lived life on his terms and had, in many ways, what could be described as total freedom. He did not submit to a life of drudgery.
'He is a legend and will be greatly missed in London and the UK. It is not for me to say any more about his death.'
Meanwhile, Zonk DDS, a notorious graffiti writer in London, shared a tribute online, which read: 'Iconic British artist gone far too soon. Thoughts are with his family.'
And SMT crew, a nationwide graffiti collective, paid tribute to Helch as 'a big figure' within the scene.
Sharing a photo of the artist's massive vibrant piece on top of a Shoreditch car park, a spokesperson wrote online: 'As a crew we are deeply saddened to hear of the passing of Helch.
'A big figure in the London and UK scene. RIP Helch.'

Friends paid their respects to Mr Purdy, who enjoyed a sold-out gallery show in December

Graffiti artist Lord wrote: 'Sad news man, Helch was a genuine good brother, had good banter I used to give him stick how long they [his roller pieces] take.
'One of the best roller writers we ever had.'
Another tribute read: 'Sad news to hear one of, if not London's biggest writer when it comes to rollers has passed away. What a shame. Got to give credit where credit is due, your work will live on for the rest of all our times.
'A London king man, prayers are with your friends and family. RIP Helch.'
Other fans of the artist flooded social media with tributes and photos of Helch's roller pieces, one with the caption 'sad news. Good guy. Made refreshing cool moves in the scene.'
Another message read: 'RIP Helch buddy. Admired your dedication to graffiti and showing it to the man, every time.'
One note from an artist who knew Helch contained the words, 'Take care of yourselves and loved ones before it's too late'.
Tributes were even paid as far as New York City, with a compilation of his photos shared online with the message: 'He was known in London for being a legend.
'He brought some refreshing graff[iti] to NYC a few years ago and I enjoyed going across all these spots as they appeared.'